Modern Art, rooted in rejecting traditional values, embraced the freedom to experiment with form, a movement spurred by social and political changes. Post World War I, Europe saw the emergence of Surrealism, characterized by unexpected juxtapositions and surprises. My digital artwork, "Death by Man," draws from this movement, delving into psychoanalysis and gender issues to critique toxic relationships.

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Historically, women have faced oppression in both domestic and professional spheres, influenced by a belief in female inferiority. This has led to pervasive issues like toxic masculinity and sexism, marginalizing women and confining them to restrictive roles. These societal traits often push women into damaging relationships that impact their mental wellbeing and worldview.

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"Death by Man" takes inspiration from André Breton’s fascination with psychoanalysis and dream interpretation. It represents my own dream, reflecting on a past toxic relationship, and illustrates the broader issue of how women are treated in such dynamics.

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In the piece, I guide the viewer’s gaze using the curved lines of a wrinkled bedsheet towards a dominant male figure. Surrounding elements like hands and lingerie highlight vulnerability and intimacy, while horizontal lines of the bed and bedsheet symbolize the woman's misplaced trust. The surreal element emerges from a mirror in the background, showing the man's monstrous reflection, a metaphor for his true, toxic nature. This monster represents his ego and the exploitation of the woman, underscoring themes of dominance and ownership.

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The background features the woman's skeletal legs, symbolizing the draining effect of a toxic relationship. The artwork employs a dual reality through color contrasts, creating an illusion of beauty veiled by a darker, ominous truth. This duality represents the false narrative presented to the woman and the manipulative nature of the man.

In essence, "Death by Man" employs surrealism and psychoanalysis to critique societal norms and the impact of toxic relationships on women. It's a call to action against oppressive societal structures, much like Breton’s surrealist works, using art as a medium to challenge and provoke change.